The Quilt University 2008 Class Schedule is open.
My class titled: Floral Pizzazz starts Febuary 16th.
(See previous post for more details)

This is the Flora Rosa design sample for the class.

Quilt University 2008 schedule announcement

The 2008 Quilt University class schedule is available now! Go to http://www.quiltuniversity.com/
to check out the classes offered.

My class is on the schedule, title: Floral Pizzaz.

Look for the image of the class sample on the home page. Click on it to sign up. Sign ups started January 12th. Classes fill quickly; don't hesitate if you are interested!!

Class description:

Learn to use contrast, value, depth and overlap to create drama with fabric to make your work more exciting and interesting. Using her original Flora Rosa design, Debbie will show you how to use foundation applique for the primary design and collage for the base of the flower. Through a series of exercises you will work towards developing your own personal style while improving your understanding of several important art tools. Debbie will make it possible to step out of your comfort zone in a safe way.

Level: You should be comfortable with your machine and free motion stitching. This class is perfect for people with a large stash; five lessons with an extra week after Lesson three.

Hand Made Book

Last summer I studied with Beryl Taylor and learned to make a book. She has remarkable talent! The cover of the book was made with 300 pound hot pressed watercolor paper and covered with "fabric paper". Making fabric paper is covered in her book. The book was painted and embellished witj the edges wrapped silk ribbon and dangling beads.

Cover
The book contained four signatures The inside of the cover was a separate layer that the signatures were attached to. That unit was glued to the cover. The dangling beads had a ribbon attached. The ribbon is between the two layers and the covered edges with silk ribbon. I used pearl cotton to stitch the ribbon and other embellishments.




Side View
The pages were decorated and had assorted themes

A 1" wide ribbon wraps around the book to hold it closed.

Page Example

Kohinoor Brilliant Waterbased Dyes were used to paint all of the pages and the cover.

This page was painted intensely and collaged with torn pieces of painted paper which had been stamped and embellished with words and assorted bits of thread.


This page was painted with the waterbased dyes, wet into wet.
The right side has a felted "postcard" that was created with wool roving using an Embellisher machine.
Inside back cover
Inside of back cover (enlarged to show the detail)

This page has a "postcard" made of lutrador with fused torn bits of tulle in various colors, beads and embroidery stitches in metallic gold.

I highly recommend her book: Mixed Media Explorations
It is a gorgeous book a true work of art!

My Recent Article in Quilting Arts, Oct/Nov 2007

I had the wonderful opportunity to write an article for Quilting Arts for the Oct/Nov 2007 issue (#29). Title: Spontaneous Composition, page 40.

The article describes a method I use that utilizes (wonderful) "bits" that result from trimmed edges of quilts. The example is a 3 sided vessel I made from bits that resulted from a quilt titled: Gathering Leaves; instructions detail how to make the vessel.

Vessel

The length of the article was limited and I could not include the complete story about the vessel, here is the rest of the story....

In September 2006, I made a quilt to enter into a show in Ireland. Title: Gathering Leaves

The theme was autumn and the size requirement was exactly 11.5 x 8". After the quilt was quilted and trimmed exactly I ended up with some wonderful extra pieces, that I NEVER throw away! I refer to these as "bits". This particular design had some interesting shapes that extended and added even more interest to the bits. My work usually does not have straight edges. I prefer to include interesting elements that would otherwise be cut off. I purposely go around them; I like the effect much better than a unnatural straight edge.

The quilt was finished and shipped the quilt to Ireland however; it did not arrive in time for the show; it was lost in the mail. After much anguish I finally did get it back about 2 months later!! When I had it back in my hands, I realized how much I liked it and it inspired me to re-think the extra pieces I had left over. I had a two fairly good sized extra pieces and used these to make two more smaller versions (with straight edges). Afterwards, some very small "bits" were left. These were "wonderful" slivers; they were very unusual and quite intriguing. These are the pieces I used to make the vessel.

After I made the two new quilts, I made a "mat" for each one to mount them on. I used off white linen backed with Timtex and quilted it with a wide spaced pattern of leaves. I thought the presentation was good.

I decided my story might be suitable and interesting enough for others to read. In June 2007, I decided to submit it to Quilting Arts. I was surprised when soon after, Patricia Bolten (Pokey)herself called me. She said she was very interested in my topic and asked if I would be able to write it in the next few weeks; she wanted it for the autumn issue. I agreed and proceeded to write the article. What I didn't realize at the time was that I would now have to recreate the actual process! I had to retrace my steps and thoughts and make another quilt as I did from the beginning. They needed the vessel, the quilts and the infamous "bits" to photograph. Wow! Now that was challenging. I did manage to accomplish this and to my surprise, it was even more joyous the second time around.

When I create, I am not consciously aware of my steps, as most artists tend to function this way; I purely enjoy the process. Recalling this was amazing. I did not realize the multiple stages and decisions I had made. I made a "sheet" of collage. The base of the sheet is raw linen. The pieces are raw linen, tulle, organza most with acrylic paint added. The layers are stitched with clear thread. Batting and backing fabric is layered to make the quilt sandwich and then the sheet is quilted with a variety of threads; some are metallic.

After the quilting was finished, I marked sections to cut and photographed them before and after. I did this because I wanted to be able to recall the positions for future use.

Notice the interesting shapes that fall on the edge. This was not an accident. I like to save these and cut around them to preserve them and have options later. Working this way opens my mind and can offer a lot of options.

In the spring of 2007, my 93 year old friend Mary gave me a selection of daffodils from her garden. They looked great in the vessel. I slipped a plastic medicine bottle inside with water to hold the flowers with water.

The bottom of the vessel is closed with a bean bag made of wool. Bebe's fill the bag and provide weight, and a good spot for my label.

I thoroughly enjoyed this experience and the multitude of benefits that came my way. Now I can proceed and find something to do with the remaining bits!

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Flora Rosa Azur (Close up)

December News

Announcement: My first class for Quilt University is complete and scheduled for Febuary 16th. Title: Floral Pizzazz

After many months of writing and editing; the text is fnished and looks fantastic!

Image of the class design and sample

The 2008 quilt university class schedule will be posted on January 12th.

go to: http://www.quiltuniversity.com/ for complete details.

The class has five-one week lessons. The topic is: How to create drama. The class covers some of the techniques I use. An original design is provided, Title: Flora Rosa. A series of 6 art quilts are displayed on my website; look for Flora Rosa in the title.

The design is of a single "fantasy" flower. The flower is set against an interesting background, framed by a cluster of leaves and rooted in a collaged foreground.

The approximate finished size is 16" x 17".